I didn't always like the look of prong settings, so I hadn't found the need to learn to make them. I did try once, unsuccessfully last year to set an opalized clam shell in a prong setting. I'm digging the more contemporary look of thicker gauged prongs, and after seeing a tutorial by Joanna Goldberg in the current issue of Art Jewelry Magazine, I wanted to try again.
A friend wanted me to come up with a setting for her turquoise cabochon. Her husband gave it to her for her birthday, but the bail came unglued and it needed a new setting. I thought prongs were the perfect choice, since they show off as much of the stone as possible and had a similar feel to the original idea of just the stone hanging from a bail.
I didn't have the soldering brick that Joanna recommends, where you can push stuff down into it. It's on my list now! I used this honeycomb brick and made it work by pushing the wires into the holes, but that might not always work depending on the spacing of the prongs and the gauge of the wire.
A friend wanted me to come up with a setting for her turquoise cabochon. Her husband gave it to her for her birthday, but the bail came unglued and it needed a new setting. I thought prongs were the perfect choice, since they show off as much of the stone as possible and had a similar feel to the original idea of just the stone hanging from a bail.
I'm thrilled with the outcome!
I see lots of possibilities with this new technique that I've learned. I'm so happy that I'm enjoying jewelry making and having fun playing around and learning new things. Of course its not perfect, but its pretty good for a first (well second) try.
I see lots of possibilities with this new technique that I've learned. I'm so happy that I'm enjoying jewelry making and having fun playing around and learning new things. Of course its not perfect, but its pretty good for a first (well second) try.













